Help me choose a door decal for Studio D

We have a small storage room at Studio D, and the topic came up about having the random white door in the middle of our cool new studio.

So I suggested, why don’t we decal it?

Help me choose! Which door decal should we choose?

The TARDIS from Dr. Who?

11fb_tardis_door_cling

 

Or one of these awesome sci-fi inspired door coverings?

168c_sci-fi_door_decals

We wouldn’t go with the gun one … just doesn’t suit our family-friendly style.

Which of the 3 would you like us to go with?

Which Door Decal Should We Choose?

  • Dr. Who TARDIS (57%, 4 Votes)
  • Airlock (29%, 2 Votes)
  • Other (Please Comment) (14%, 1 Votes)
  • Danger: Do Not Enter (0%, 0 Votes)

Total Voters: 7

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UPDATE
I am pleased to announce that the storage room door will lead to a room that is much bigger on the inside! TARDIS it is! Thanks for your feedback.

Studio D: Day 24

Hillary stopped in while I was at work to give us a good jump on the ceiling tiles! They’re looking great with a little primer on them. It’s going to really brighten up the place.

I also got to install my first-ever piece of drywall. I know: Christa and Brad already pre-cut it to size for me, but it was still an accomplishment!

-Robbie

Studio D: Day 23

I’ve got to admit, I was getting really worn out, and just knew I had mudding to do. So I got rocking on the mud, and kept pressing on, but was feeling a little like I was marching up hill while pushing a train full of bowling balls.

But then, Christa and Brad showed up unexpectedly to review my work, and to put up the “more complicated” drywall which I would not be able to do. I really felt like that gave me my second wind: to be reminded in that moment that I was not doing this alone… that I have friends, viewers, and supporters who are right here with me.

No matter how tiring this gets, I’m pressing on!

Thank you for your support!

-Robbie

Studio D: Day 22

Some days I just don’t have the time to stay at Studio D for hours on end, but I still want to get things done. Day 22 is one of those days.

The landlord visited the night before (I didn’t have the camera with me, nor would it have made exciting video) to simply turn off the power to the wall receptacles, so on Day 22 I could safely replace the outlet which Paulo had discovered to be rusted out, having been filled and drained of rainwater many times through the years.

Tali was with me so she held my phone to capture the video for you. It’s not the best quality clip, but at least it’s not vertical¬† ūüėČ

Here ya go! Day 22…

Have an amazing night!!

-Robbie

Studio D: Day 21

Okay, so people told me all about how dusty sanding drywall mud is, but why did nobody mention how much work it is? That was brutal!

I spent several hours sanding the mud by hand, and figured out a way to speed it up by being slightly less… you know… picky (I’m an extreme perfectionist with all I do).

I was feeling really encouraged when the rain poured down but the studio was still dry, but then the rain started working its way into the studio as well. My heart sank a little at that point, but I’m pressing on and trusting and believing this is all going to come together beautifully. No time to dwell on it just yet.

I’m doing pretty well, but finding the days long and tiring. I can’t wait to move everything in and get to the point where the studio is just a studio.

Check out the Backstage Pass video from Day 21:

Thanks for all your support!

-Robbie

Studio D: Day 20

I decided to try something I haven’t done since Tali was born… a good long bike ride! Apparently Studio D is on the summit of a small mountain. Yep, turns out it was pretty much all uphill, or at least that’s how it seemed.

But I made it safe and sound, and felt invigorated by the cardio, which should help me with getting into better shape, which is something I’ve been working on for a while now.

So my whole visit was a day of preparations: scraping, taping and mudding the walls. I got the first coat entirely done… prepped and ready for sanding on Day 21.

I feel like I’m a fairly quick study. I mean, I was much more confident with my mudding today, and much faster too.

It’s really starting to come together and look good!

Check out the Backstage Pass video from Day 20 at Studio D…

Thank you for your support!
-Robbie

Studio D: Day 19

Christa and Brad are some good friends, I gotta say. Christa picked up a new client and was much too busy to come help with Studio D, and Brad came down with a bad head cold… yet they still came by in spite of all that and put up much of the remaining drywall, and taught me how to tape and mud so I could continue on in their absence.

I tried really hard to do a good job of the mudding, but they still made fun of me. And my gloves. But I tell you what: I’m really starting to see the finish line. Getting the drywall and mud up really makes the place look like we’re on the downhill slope. We’re putting stuff up now, rather than taking stuff down.

Learn along with me as I mud for the first time. Don’t mind Christa and Brad… they’re just jealous that I’m so awesome at it on my first try.

-Robbie

Studio D: Day 18

I received an email from Robert after I told him the water was still coming in: he visited the studio again after hours to try to track down where the water may be coming from.

He explained some of the things I could do to help prep the area for him to come back and fix the problems, so my daughter Tali and I visited the studio with a couple of wire brushes and compressed air to start cleaning the joints, ready for that “cementitious compound” Andy told us so much about on Day 4 (sorry if that sounds pretentious).

So, while I did what we set out to do, Tali built a habitat for a tiny toad we found outside the fire exit door.

Oh yeah, and we learned that apparently, Studio D mice can chew holes directly through concrete!

Check it out!

Thank you so much for¬†supporting Category5’s Studio D project!

-Robbie

New Camera for Studio D

I started this thread over in the Telestream forums and have been getting some excellent feedback from the community.

We need to buy a new camera for Studio D.

Basically it boils down to this: right now we use a webcam. We get away with it because we’re confined to a very small space. But Studio D is a much larger space, with more potential “screen area”, and a webcam just won’t work in that environment.

This living blog is where I’ll way the pros and cons of each possible camera, and welcome your feedback either here in the comments below, or directly on the Telestream thread.

1080p vs. Ultra HD vs. 4K

  • 1080p gives us 1920×1080 pixels to work with.
  • Ultra HD provides a source of 3840×2160 pixels, and
  • 4K provides a source similar to Ultra HD at 4096×2160 … a bit wider than Ultra HD.

HDMI vs. HD-SDI

  • Both provide full resolution/framerate.
  • HDMI at 1080p, we do not need to purchase additional hardware. Anything at Ultra-HD or 4K, we will need to purchase a new capture device, regardless of whether it is HDMI or HD-SDI.
  • HDMI maximum cable length is hard to gauge. Some say it’s 25 feet, some say 50 or more. However, in our experience (having tested with our old HDMI consumer camera) a 6 foot length is safe, but 15 feet or more starts to lead to problems (eg., dropped signals). We would not feel safe to use more than say, 10′ of HDMI, which means the broadcast server needs to be extremely close in proximity to the camera itself. You’re already familiar with HDMI: it plugs in and could easily be accidentally unplugged if the cable gets snagged or pulled. HDMI does offer wireless¬†options in 1080p, but at this point I haven’t seen a 4K model. Also, HDMI to SDI converters can be purchased cheaply.
  • HD-SDI is generally safe at a maximum of 300 feet. This means our broadcast server can be well away from the camera, and we can move the camera around much more freely within our studio space. HD-SDI “locks” into place. It will not come out of the camera or the server if it gets snagged. For these reasons, HD-SDI is preferable over HDMI. HD-SDI traditionally adds a fair bit to the cost of a camera: it is the “professional” option, whereas HDMI is the consumer option.

So… which camera should we buy? Please comment below and send in your contribution here to help us make this upgrade a reality. If you are local or able to mail a cheque, please consider sending payment by cheque rather than PayPal to save us the high transaction fees.

Prices shown are in USD. To see how much it would actually cost us in our local currency, click the amount.

These are listed by price, highest to lowest. Higher price does not necessarily mean better. That’s what we need to weigh.

Blackmagic Design Studio 4KBlackmagic Design Studio 4K
B&H List Price: $2,995*
Comments: This would be our ultimate choice. The quality of this camera will be superb, and it is built specifically for our purpose (studio use). The cost is the prohibitive thing. The camera is pretty pricey, and a lens will add another $1,000 or more to that price.
Pros: Ultra HD. Multiple camera angles from one camera, including lossless digital zoom. Built-in HD-SDI. Professional (studio) form factor.
Cons: *Does not include lens. Rather expensive (although comparatively cheap compared to other studio cameras of this quality and featureset). No WiFi controls (but does have LANC controls for Iris and Focus, if we buy a separate controller). Auto-focus only available with specific lenses and not realtime.

Sony FDR-AX100 4KSony FDR-AX100 4K
B&H List Price: $1,998
Comments:¬†A good value option for sure. The features are impressive for the price, and we’d get excellent picture quality. The form factor is very appealing (much more like a traditional camcorder), and the fact that it has built-in optical zoom is quite cost savings (no expensive lens to add). However, the lack of ability to change the lens is quite restricting in the long run, plus this one has no option for HD-SDI. It’s HDMI output or nothing. For cost-effective models, this is likely our best option.
Pros: Ultra HD.¬†Includes lens. 1″ CMOS sensor. WiFi control. Realtime auto focus. I really like the “camcorder” form factor. Built-in ND filters. Includes a wireless remote control which allows optical zoom. Focus ring makes it compatible with follow focus hardware (that ring is very close to the lens!)
Cons: Maximum 30fps when shooting in Ultra HD mode (60p available in 1080p mode).

Panasonic Lumix DHC-GH4Panasonic Lumix DMC-GH4
B&H List Price: $1,697.99*
Comments: This is the game-changer 4K DSLR. Exceptional quality and great lens options. However, the cost to get HD-SDI on this camera makes it a dud. You might as well get the BlackMagic camera (which is built for studio use) for the price.
Pros: 4K (higher horizontal resolution than even the Blackmagic camera above). Multiple camera angles from one camera, including lossless digital zoom. WiFi controllable.
Cons:¬†No HD-SDI. HD-SDI may be added via an interface accessory which costs an additional $2,300 (making this camera cost more than the BlackMagic Studio 4K¬†to get¬†HD-SDI). Could we use an HDMI to HD-SDI converter instead? *Does not include lens. Has¬†auto-focus if you buy specific lenses, but it’s not as good as the Canon units (but can use WiFi app to control focus). DSLR form factor: will require the addition of a follow focus rig.

Canon Vixia HF-G30Canon Vixia HF-G30
B&H List Price: $1,399
Comments:¬†Beautiful 1080p quality, but the only reason we’d go with 1080p is if we had no option to go with 4K.
Pros:¬†Includes lens. Larger sensor than the G20. Has WiFi¬†controls. 60p recording mode (not necessary, but could be neat for slow-motion reviews). Improved positioning of the output jacks. Switch to control the use of the manual dial ring. Realtime auto-focus. I really like the “camcorder” form factor.
Cons: No HD-SDI. HDMI only. Will require multiple cameras to attain multiple angles. Seems like a pretty high premium, approaching a little too close to the 4K price range.

Canon Vixia HF-G20Canon Vixia HF-G20
B&H List Price: $899
Comments: Another great 1080p camera, but 1080p is not the best option for us.
Pros: Includes lens.¬†Comparatively cheap for great picture quality at 1080p. Realtime auto-focus.¬†I really like the “camcorder” form factor.
Cons: Interlaced at 60p. No HD-SDI. HDMI only. No 60p. No WiFi controls. Will require multiple cameras to attain multiple angles. Controls are largely based on touch screen.

Panasonic FZ1000Panasonic FZ1000
B&H List Price: $897.99
Comments:¬†This one appeared out of nowhere. The form factor is terrible, and the lens is locked in place with no ability to change or upgrade it. However, it’s 4K video for under $1,000. Is it good? We haven’t touched it yet, but I’m guessing this is one of those “too good to be true” things. Auto-focus will be the big challenge here, and because of the layout of the built-in lens, a follow focus rig can’t be used to provide fluid manual focus. This is basically the “cheap consumer 4K” option, and likely will perform as such. Also, HDMI only, and powered by battery.
Pros: 4K video¬†for under $1,000! 1″ Sensor. Lens is included (see cons as well). Reportedly supports 4:2:2 4K clean output (over HDMI). Built-in autofocus.
Cons: Lens is built-in, not changeable/upgradeable. No HD-SDI. Cannot record or monitor while live streaming over HDMI (although this can be resolved by purchasing an external monitor connected to our Wirecast server). DSLR form factor and not compatible with a follow focus rig. No A/C Power: must be powered by battery.

Since this is a living blog, please check back often. I will update this with any new findings or other changes, and I welcome (and appreciate) your comments below, and contributions to the project.

— UPDATE: September 12, 2014

We’ve raised roughly $1,500 so far. Thank you to those who are supporting this venture!

As Studio D fast approaches, I’ve been considering our options more and more. 4K is the route I would love to go, and I think it best suits the show in the new space, and will give us the best quality possible. If however, we can’t afford it, and the main advantage stems from being able to shoot multiple angles, the idea of purchasing multiple 1080p cameras instead of one 4K camera is a good option (and cheaper), although the disadvantage is the increased floorspace of another camera and increased broadcast server resource usage to power two cameras live.

We’re also going to need a teleprompter for the news segment and possibly viewer questions, so¬†whatever camera we use for that purpose will need to be reasonably close proximity (4m).

— UPDATE: December 20, 2014

Thank you to everyone for your continued support! I thought I should update you on how I think this is going to happen. Simply put, we do not have enough funds to go 4K … yet. So I’ve been looking for “stepping stones”.

Right off the top I’ll let you know, one of the big changes in Season 8 is that Adam has joined us as camera operator, so we are no longer 100% reliant on digital zoom: we have someone who can actually zoom the optics, for example. This means 1080p is much higher quality than it was when we were using digital zoom on the 1080p canvas, as we are able to take advantage of the full 1920×1080 resolution of the camera.

So that said, the HF-G30 looks like the best¬†stepping stone at first, but then I realize¬†sinking the funds into that would be like resetting the fundraiser and ending up with a “final product” — not something that can be upgraded down the road.

What I’ve been thinking is, build a DSLR rig. This is basically like building a cage that “converts” a DSLR into a video camera. It makes the DSLR form factor cameras (which are generally cheaper) a much more reasonable option, giving the camera operator off-camera focus / zoom controls.

Thanks to Nikon Hacker, we can start by using our existing¬†DSLR (a Nikon D5100), mount it in the rig, and use that while we continue to raise funds. Then, when the time comes that we can go 4K, we can simply remove the DSLR from the rig, and replace it with the new 4K DSLR. This is a much truer “stepping stone” approach since all the hardware that makes it work (follow focus, in particular) will then be used on the next iteration. It also means DSLRs become a more viable option (it wouldn’t have worked had we not had a video operator), and we can improve the quality during the process (by using our DSLR rig), which hopefully means more advertisers and contributions since the show will look a lot better than it does through our current solution.

Thoughts?

Studio D: Day 17

Wow! We’re really getting into the exciting stuff now.

Christa and her hubby Brad arrived to start putting up the drywall, and my friend Jean Bamford from Labar Sales & Distribution also paid us a visit to figure out the colors for our new studio. I’m glad she came by on a night when Christa was around since it was her who designed our logo and she has a good vision for our image. This is getting exciting!

We also got our first piece of furniture donated by my friend Chelsea: a coffee table!

You’ve got to see the video! So much going on.

Please don’t forget, we need to buy a new video camera for Studio D, and we do not yet have the funds. We need our viewers’ help, and every contribution makes a huge difference. Please consider contributing to this need here:¬†http://shop.category5.tv/?product=upgrade-the-cameras

You can also read about the camera and post your comments on my blog:http://www.baldnerd.com/new-camera-for-studio-d/

Thanks for all your support!

-Robbie